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| Anuradha Pal’s Fusion groups....... |
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| 1. Anuradha Pal's Stree Shakti- Asia's much acclaimed all female ensemble fusing percussion, instruments & vocal Indian music. |
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| ‘Anuradha Pal’s
Stree Shakti’ is Asia’s
most acclaimed Indian Percussion instrumental ensemble of Asia that
reflects the emergence of strong womanpower in traditionally male
dominated fields. Conceived and presented by the young Tabla Virtuoso
& Music Director, Anuradha Pal, Stree Shakti combines the instruments
and traditional repertoires of both North and South India in an exhilarating
celebration of rhythm! Stree Shakti
has performed in some of the most prestigious festivals like the
WOMAD festival, BBC Music Live Festival- Scotland, Rhythm Sticks
Festival, Common Wealth Games Festival, City of London Festival,
Cardiff Jazz Festival, Asian Music Festival to name just a few.
In the world famous WOMAD festival, they
performed to a record crowd of 1.5 lakh people!! Encore after
encore!!
Anuradha Pal is the musical director of Stree
Shakti, has been interviewed and featured several times on various
Radio and TV channels like BBC world service, Carlton TV, Zee, Sunset
TV, BBC Channel 4 etc. Infact, the BBC recording of their concert
at the Womad Festival was shown live by the BBC World service in
56 countries. |
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| Anuradha Pal’s Stree Shakti
can be performed in 3 formats: |
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A Percussion ensemble
(Tala Vadya Kacheri) featuring a rhythmic dialogue between different
3 to 4 percussion instruments like Tabla/ Ghatam / Kanjira/
Pakhawaj/ Mridangam and sometimes with Western Drums. |
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Fusion of Voice, melody and
percussion featuring (6- 7 musicians) Vocal with Instruments
like Veena, Violin, Guitar, Flute etc and Percussion instruments
like Tabla/ Ghatam / Kanjira/ Pakhawaj/ Mridangam & sometimes
with Western Drums. |
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Indo – Jazz fusion involving
a superb combination of Indian & Jazz instruments. |
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| Some Reviews of Stree Shakti concerts: |
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‘The hall buzzed when ‘Stree
Shakti’ led by Anuradha Pal took the stage. ..
And indeed looking like the heroine of a Bollywood musical,
her waist length hair falling across her shoulders as she played
her Tablas, Pal and her partners were sensational… as
the Ghatam& Kanjira conversed with Pal’s Tablas…
creating a spell. The first female group to bring together traditions
from north and south, fighting gender and caste prejudices,
Stree Shakti exuded physical confidence and joy.’ -The
Scotsman,May 2000 |
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‘World class musicians prove Stree Shakti-
stunning display by Anuradha Pal’- Maldon
Standard.-July 1999. |
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There were duets and solos of each of the performers,
there were the smiles, the laughs, the head and hand movements
in time with the beat, and there was the ecstatic game-playing.
Designed good-naturally and spontaneously ending in enlightened
climaxes. Enthusiastic applause…. the audiences had been
bewitched!!!’ – Anglican
Times, UK- 1999. |
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‘Pure Music- what a storm!!’- ‘India
weekly’ review of their performance at the World famous
WOMAD festival in Reading, UK for an audience of 1.5 lakh people,
August 1999. |
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‘All female Stree Shakti group, led by
Anuradha Pal, enthralled listeners with their exceptional percussive
talents.’’
- Leicester Mercury – July 1999. |
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‘Stree Shakti rebuffs the belief that the
field of instrumental music is primarily befitting of male artists.
Their performance in the Tagore theatre (Chandigarh) last night
will remain in the memories of the music lovers for a long time
as so mething unique where one could actually feel the upliftment
of the senses to new heights. What was delightful was the rapport
and spontaneous communication that the artists shared on the
stage; despite their apparent diversity .The success of the
event could be gauged by the involvement of the audience. Several
of them could be seen clapping their hands and swaying’.
-The Tribune-Oct 1998. |
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“‘Stree Shakti’s live concert
was an explosion of percussion at its best, mixing traditional
music with a contemporary approach.’’ - July
1999. |
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‘And here’s the difference between
this music and Western music- the interplay within a tight framework,
the dialogue between players, the shared enjoyment of the music
and those wonderful instruments. The pace quickened as the three
percussionists played in glorious union. It was a performance
that took my breath away with its sheer virtuosity, exuberance
and joy. More applause … then the finale with again the
percussionists playing the rare six and half beat Tala together,
each different, all aiming towards the same musical climax in
their individual way, each with eyes focussed on the other,
smiling, challenging, goading, encouraging, ending… A
wonderful evening during an evening full of wonders. At Borroworob,
great music is without cultural and linguistic barriers. And
this was beautiful music in any language, a mix of Classical
and modern Indian music, performed expertly by six diminutive
ladies with music in their fingers and embedded deep within
their souls.’
-Review of their Liverpool performance
on www.borroworob.com |
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‘Hypnotic taste of Indian Music –
absolutely stunning performances.’- Essex
chronicle May 2000. |
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Alluring display of Indian girl power- simply
magic!!’ - East Anglican Times-
August ’99 |
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| 2. Anuradha Pal's Recharge- is a unique World music fusion group combining various elements of Indian, African, Latin and Jazz music. A unique combination of Indian instruments like Sarangi, Sitar, Tabla along with Flute, and Vocals along jazz & western style Saxophone & Keyboard & other unique percussion of the world, create a celebration of different kinds of music, ranging from traditional, to folk to fusion. This music instantly calms our frayed nerves and leads to peace, which immediately moves into a higher gear of joy & happiness, thereby recharging us to take on life challenges again... |
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