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| Style & Fusion |
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| EVENTS WITH ANURADHA PAL CAN BE
IN VARIED STYLES OF CLASSICAL & FUSION MUSIC AS FOLLOWS- |
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Anuradha
Pal in Tabla Jugalbandi with herself
- An original and recent creation by Anuradha which has created
waves of appreciation, in her concerts in India…This Tabla
Jugalbandi is a rhythmic dialogue between the two Anuradhas..
(i.e the traditional, classically trained, Tabla virtuoso in
‘Jugalbandi’ with the young, spunky Anuradha who
also enjoys fusion work)…interacting with the audience,
in a sort of 3 way dialogue, which is both entertaining and
rhythmically uplifting” |
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See
Video as an example of a Jugalbandi with Ustad Zakir Hussain-
http://www.youtube.com/watch?v=CGxvWyXbMNk
Tabla solo
http://in.youtube.com/watch?=d3KQfthR58I |
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Tabla
Accompaniment with different Hindustani/ Carnatic musicians-
See Video with Pt Hariprasad Chaurasia
( Flute)
http://www.youtube.com/watch?v=9q6YIwSzlyo
See Video with Ustad Shahid Parvez
( Sitar)
http://www.youtube.com/watch?v=zQ9_NEoE_5U
See Video with Pt Jasraj
http://www.youtube.com/watch?v=YyCsrMWdfBg
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Fusion-
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Anuradha
Pal’s Stree Shakti - Asia's much acclaimed
all female ensemble fusing percussion, instruments &
vocal Indian music. |
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Anuradha
Pal’s Recharge - is a unique World music
fusion group combining various elements of Indian, African,
Latin and Jazz music. |
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Collaborations
- playing Tabla along with other Percussion Instruments
with other Indian/ International musicians from different
genres-ie World beat / New age / Fusion/ Jazz & Blues. |
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Director
/ Composer of Music in films, documentaries, theatre
and other commissioned work. |
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Anuradha Pal’s Fusion
bands- |
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Anuradha
Pal's Stree Shakti
Asia's much acclaimed all female ensemble fusing percussion,
instruments & vocal Indian music which has performed
to record audiences in the world famous WOMAD festival(U.K),
Rhythm Sticks Festival, Common Wealth Games Festival,
City of London Festival Cardiff Jazz Festival, BBC Music
Live Festival- (Scotland), Asian Music Festival, Oldham
Mela, Bangkok International Music festival, Bharat Bhawan,
ITC SRA festivals, NCPA, Nehru Center etc, amongst others
around the world..
See Videos at
http://www.youtube.com/watch?v=0KEk_beDKEU
http://www.youtube.com/watch?v=Lprf_wwQVws
‘Anuradha Pal’s Stree Shakti’ is
India’s first ever all women’s percussion
based vocal & instrumental fusion ensemble that
reflects the emergence of womanpower in the traditionally
male dominated world of Indian Rhythm. Conceived and
presented by the well-known Tabla Maestro Anuradha Pal’s
Stree Shakti combines the instruments and repertoires
of North and South India, interfusing the Hindustani
and Carnatic traditions, voice with instrumental and
percussion, classical with the contemporary and melody
with rhythm. This dynamic celebration of rhythm fusing
the traditional with the contemporary reinforces the
strength & novelty of “Stree Shakti”.
Stree Shakti has performed to packed audiences, in
some of the most prestigious festivals in the world
like the WOMAD festival (U.K), Rhythm Sticks Festival,
Common Wealth Games Festival, City of London Festival
Cardiff Jazz Festival, BBC Music Live Festival- Scotland,
Asian Music Festival, Oldham Mela, Bangkok International
Music festival etc.
Stree Shakti has performed in numerous places in India
for prestigious organisations like the ITC SRA Sangeet
Sammelan festivals, NCPA & Nehru Centre (Mumbai),
Spirit of Unity concerts, Pracheen Kala Kendra (Chandigarh),
Bangalore Percussive arts, Malleshwaram Sangeetha Sabha
(Bangalore), Bharat Bhawan (Bhopal), M.P Kala Parishad
(Indore) amongst many others.
Media Appreciation- Anuradha Pal, the musical director
of Stree Shakti, has been interviewed and featured several
times on various Radio and TV channels like BBC world
service, Carlton TV, Zee, Sunset TV, BBC Channel 4 etc.
Infact, the BBC recording of their concert at the Womad
Festival had a record audience of 150,000 people, going
crazy for more… Encore after encore!!! This concert
was even shown live by the BBC World service in 56 countries.
Anuradha Pal’s Stree Shakti
can be performed in 2 formats-
1) Percussion ensemble (
Tala Vadya Kacheri) featuring a rhythmic dialogue between
different percussion instruments like Tabla with Ghatam
/ Mridangam/ Kanjira/ Moorsing with Violin or Veena
(ie Percussion with instrumental combination (totally
4 to 5 musicians)
2) A unique combination of
Voice, melody and percussion featuring Percussion instruments
like Tabla with Mridangam/ Ghatam/ Moorsing/ Kanjira
with Vocal & an Instrument like Sitar/ Veena/ Violin/
Flute. (Totally 6 to 7 musicians)
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Reviews of Stree
Shakti concerts |
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‘Bangkok’s
9th International Festival of Dance and Music, was graced
by the presence of HRH Princess of Thailand, Mahachakri
Sirindon where Anuradha Pal, one of India’s leading
and most innovative percussionists presented Stree Shakti,
Asia’s much acclaimed all female percussion ensemble.
Anuradha Pal kept the audience spellbound playing the
Tabla at a mind blowing speed mesmerizing all those present
with her rhythms using traditional instruments like Mridangam,
Kanjira, Ghatam and moorsing along with Sitar. The ensemble
producing some really powerful beats performing expertly,
with vigorous energy and with amazing coordination. A
memorable performance!’ -
Bangkok Post, Sept, 2007. |
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‘The hall
buzzed when ‘Stree Shakti’ led by Anuradha
Pal took the stage. ..And indeed looking like the heroine
of a Bollywood musical, her waist length hair falling
across her shoulders as she played her Tablas, Pal and
her partners were sensational… as the Tabla conversed
with the Ghatam and the Kanjira, creating a spell. The
first female group to bring together traditions from north
and south, fighting gender and caste prejudices, Stree
Shakti exuded physical confidence and joy.’
-The Scotsman,May 2000. |
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‘World class
musicians prove Stree Shakti- stunning display by Anuradha
Pal’- -Maldon Standard.-July
1999. |
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‘Pure Music-
what a storm!!’ -India weekly review of the performance
at the WOMAD festival-
August 1999. |
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‘There were
duets and solos of each of the performers, there were
the smiles, the laughs, the head and hand movements in
time with the beat, and there was the ecstatic game-playing.
Designed good-naturally and spontaneously ending in enlightened
climaxes. Enthusiastic applause…. the audiences
had been bewitched!!! - Anglican
Times- 1999 |
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‘The all female
Stree Shakti group, led by Anuradha Pal, enthralled listeners
with their exceptional percussive talents.’’
- Leicester Mercury – July
1999. |
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‘Stree Shakti
rebuffs the belief that the field of instrumental music
is primarily befitting of male artists. Their performance
in the Tagore theatre (Chandigarh) last night will remain
in the memories of the music lovers for a long time as
some thing unique, where one could actually feel the upliftment
of the senses to new heights. What was delightful was
the rapport and spontaneous communication that the artists
shared on the stage; despite their apparent diversity
.The success of the event could be gauged by the involvement
of the audience. Several of them could be seen clapping
their hands and swaying’. The
Tribune- Oct 1998. |
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‘Stree Shakti’s
live concert was an explosion of percussion at its best,
mixing traditional music with a contemporary approach.’
- July 1999. |
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‘And here’s
the difference between this music and Western music- the
interplay within a tight framework, the dialogue between
players, the shared enjoyment of the music and those wonderful
instruments. The pace quickened as the three percussionists
played in glorious union. It was a performance that took
my breath away with its sheer virtuosity, exuberance and
joy. More applause … then the finale with again
the percussionists playing the rare six and half beat
Tabla together, each different, all aiming towards the
same musical climax in their individual way, each with
eyes focussed on the other, smiling, challenging, goading,
encouraging, ending… A wonderful evening during
an evening full of wonders. And this was beautiful music
in any language, a mix of Classical and modern Indian
music, performed expertly by six diminutive ladies with
music in their fingers and embedded deep within their
souls’. - Review
on www.borroworob.com |
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‘Hypnotic
taste of Indian Music – absolutely stunning performances.’-
UK, 2000. |
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‘Alluring
display of Indian girl power- simply magic!!’
- East Anglican Times, 1999. |
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ANURADHA PAL’S
RECHARGE |
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A unique World music
fusion group combining various elements of Indian, African,
Latin and Jazz music. A unique combination of Indian instruments
like Sarangi, Sitar, Tabla along with Flute, and Vocals
along jazz & western style Saxophone & Keyboard
& other unique percussion of the world, create a celebration
of different kinds of music, ranging from traditional,
to folk to fusion. This music instantly calms our frayed
nerves and leads to peace, which immediately moves into
a higher gear of joy & happiness, thereby recharging
us to take on life challenges again...
See Video
http://www.youtube.com/watch?v=z6XtrxhX7NY
Live! At Woodstock Festival- Anuradha Pal’s Recharge band
http://www.youtube.com/watch?v=A2MADaqlRcU
Anuradha Pal's Recharge is a unique World music fusion
band, which was the only Indian group to be invited to
perform at the world famous Woodstock festival in Europe
in Aug 2008. Directed by the World-renowned Tabla virtuoso
& Percussionist Anuradha Pal, Recharge!! is an eclectic
combination of various elements of Indian, Western classical
& Jazz music combined with African & Latin Percussion
of the world.
Compliments by great artists
for Anuradha Pal’s Recharge album-
‘Extremely well composed, with careful thought
and hard work, Anuradha Pal’s Recharge combines
the best of the worlds’ music, in an energizing
and peaceful combination. May God bless this artist,
who is always striving for more... ‘.
- Veteran Flautist Pt Hariprasad
Chaurasia.
‘I find that The album (Anuradha Pal’s Recharge)
has truly captured the real essence of World music and
truly portrays the music, instruments, flavours and
fragrances of the music of different countries around
the world’. All the compositions are really very
beautiful and soothing and indeed very rich rhythmically
too. I bless Anuradha Pal, who has so much effort to
compose this wonderful music, which she has done very
successfully indeed’. May God bless her with more
& more Success and musical excellence always!’
-Veteran Vocalist Pandit
Jasraj
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